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Saturday, 30 May 2015

Fash-Friends: High Holborn, London


Catching the exit in Holborn at London Collections: Men with a navy suit and urban sportswear.

Friday, 29 May 2015

Wednesday, 27 May 2015

Jason Broderick: Knightsbridge, London


Jason Broderick, Fashion Director of Menswear at Harrods, always looks impeccibly tailored and is rarely seen without a smile on his face. 

Tuesday, 26 May 2015

Sunday, 24 May 2015

Universal Workers: Via dè Tornabuoni, Florence


Take me back to paradise city. In a months time we'll be back in Florence for Pitti with the locals (and David Keyte from Universal Works).

Bomber without Collar: Kingsland Road, London


The eyes are the windows to the soul.

Friday, 22 May 2015

Which Gola are you?


It's an unusual circumstance when I find myself in front of the camera, but when it does happen it's always for good reason. I was recently asked by Gola, one of the UKs oldest sportswear brands, to be photographed as part of their new campaign and after a visit to their showroom I found it hard to resist. Not only is their history dumbfounding, they're also big advocates of British manufacturing with a line of "Made in England" trainers - a cause close to my heart. More on that later, when I officially launch the new Man/Men project.

Digging a little deeper into the brand I discovered a rich background from their first small factory in 1905 to their domination of underground youth culture of the 1960s and 70s. It's that kind of heritage that no marketing budget can fabricate and something that really draws me in. As a huge fan of vintage design, particularly from British counterculture of the 1970s, I had to select the brown suede Harrier style as my Gola - it's a design that's as strong now as it was four decades ago.

Wednesday, 13 May 2015

GarconJon meets Alexandre Molimard for Brooks Brothers

In the final installment of my Brooks Brothers interviews, I speak with a Frenchman in London, Alexandre Molimard. I first spoke with the talented eyewear professional in 2012 at London Fashion Week to discuss all things hirsute, and now 3 years on I've delved deeper to discuss style, culture and his daily routine. Alex is wearing a Brooks Brothers plaid blazer.


Alexandre Molimard, Eyewear Developer

Where did you grow up and where do you live now?
 I grew up in central France, Clermont-Ferrand. If you don't know it, the Volvic mineral water label will give you a clue. The heart of Auvergne is one of the most beautiful regions of France with ancient volcanoes, lakes and gorges. The general landscape is so diverse. It has so much to offer people who love nature.  After 24 years I got itchy feet and felt the need to move onto somewhere new so I arrived in London. Since then, I’ve always split my life between London and Paris to get the best of both worlds. Living in two cities isn’t tough emotionally but it does take precision, both in your career and your personal life. It just requires an unusual commute.

How would you describe your job title?
 A short summary could be : what, when, where, with whom. I provide vision, direction and leadership. Once you have a vision, you have to spread the word in your business. My job is part of building something new. It is about building & managing relationships between my teams, between clients & the brands I work with, between products themselves and their consumers - for all of which communication is the key. I am very fortunate to have had the opportunity to work with very influential names. The process, to me, is way more important than the product itself.

What's your star sign? I’m a true bearded bespectacled Leo.

When you were a child, what did you want to be when you grew up? I wanted to be a lot of things. For the longest time I wanted to grow up to be an artist. I did every kind of art when younger: drawing, painting, music. I also wanted to be an actor and a journalist.

Describe yourself in 5 words? I am a creative, real, passionate, generous gentleman. And a dreamer. I think that's a reasonable summary.



How did you get ino eyewear? At 14 when I've had to wear a pair of glasses all the time. Without them, quite literally, everything looks hazy and indistinct.

Can a pair of frames change your life? It certainly improves your life quality and the way you see things. Then, the right frames can change your entire face. They can make a statement of beauty and sophistication. The superior craftsmanship and high quality will change your life in ways you never even dreamed possible, challenge your perceptions and even empower you to be yourself. Your glasses shouldn't hold you back from expressing the person you are. A pair of glasses or sunglasses is the single best accessory that you will ever own. Adding a pair to your wardrobe is the beginning of a whole new you.

As a dual-city resident, what are the 3 biggest differences between the two? Paris has more beautiful buildings in general, it is more 'quaint' and I think even long-time Parisians continue to notice and appreciate this in their daily lives. London is quaint too, in its own way: with its greenery, low-rise buildings and multi-centered character, it often looks like a village but doesn't feel like one, whereas you could say Paris is the opposite.  London often feels a bit bland, 'corporate' to me, as if all the variety of cultures present in London had just been reduced to their lowest common denominator. All the chain stores contribute to this bland atmosphere too. Parisians are, well, Parisians, whereas true Londoners are nowhere to be seen in London! Paris is fairly multi-cultural, but not nearly as cosmopolitan as London, because most of the non-French communities in Paris come from France's former colonies in North and Sub-Saharan Africa. They are largely French-speaking with cultures that are already strongly French-influenced.

London as a whole seems to be kept going by a form of raw energy. Paris is a bit more relaxed. It remains the Sleeping Beauty. And after all, to misquote Samuel Johnson, “When a man is tired of London, he can always go and have a three-star meal in Paris.”


As a Frenchman what does 'British style' mean to you? Sophisticated, traditional and practical, it is a synonym for eternal elegance and romantic classicism. British style offers a point of view aimed at utility and imagines a wardrobe in which to enter and then going straight to the point. A wardrobe without dogmatisms, a way of reconciling old fashioned and modern expectations of manliness. It embodies a new kind of modern masculinity based on timeless and iconic pieces. It’s a rediscovery rather than an innovation, a look at the modern world through the steamed up monocle of a more refined age. It is dedicated to all things sartorially British like well tailored suits from Savile Row, handmade brogues as well as bowler and top hats. I am a devotee of traditional British style, but I bring my own modern twist. I always bring in fun and interesting textures, prints, patterns, and indulgent flourishes of colour, be it through knitwear, ties, gloves, an umbrella or hats. As for "Made in England", I still believe in it. I really believe. I like things that are all built to last. My Grenson brogues were bought in the late 1990s and I wear them at least once a week. I polish them regularly and see no reason they won't outlive me.

See the full interview below.

Thursday, 7 May 2015

Savage Beauty: GarconJon meets The Next Generation

As part of my work with American Express around inspiration, I’ve identified three of London's most exciting new faces who embody the exciting creativity of Alexander McQueen in a number of different guises. The McQueen exhibition at V&A greatly influenced me, resulting in the Savage Beauty shoot from the Scottish Highlands, so now it's my turn to ask these gents what inspires them and drives them forward.


Chris Pollard, 26, Graphic Designer and Analogue Photographer

What led you to art? I’ve always been creative in some capacity, as a kid if I wasn’t doodling, building or making something, I was usually playing on Paint or trying to use design software. Luckily, my parents really embraced my creativity and were very supportive, taking me to galleries or giving me the resources I needed to develop. After school I went off to art college and it all just came together from there. Since then, I’ve wanted to learn and do as much as possible, be it graphics or photography.

What drives you? Without meaning to sound cliche, creativity itself is really what drives me. I get very restless if I’ve not got my head into a project, and find more often than not if I’m researching a concept, I will usually stumble upon something else of interest which will in turn go onto my long list of things to pursue.

Most exciting project to date? I’m torn between my first and most recent project. My first, a showcase for Savile Row at the V&A museum, was an interactive bespoke tailoring exhibition. I think both my creative partner and I can look back at that project proudly now, although at the time there were certainly a lot of nerves on top of the excitement.For my most recent project, in collaboration with a camera brand, I shot London Collection: men using their exciting new lens. The photos were showcased in a Soho Gallery space, which was my first solo show.

What's your biggest inspiration? I’m really interested in alternative print processes and historical photography at the moment. I love how much time and attention has gone into taking a single image. You can achieve such different results from a slight change in lighting, chemical reaction or composition. More generally, there’s so much content available online, lots of it through social media, that it's almost impossible not to find inspiration everywhere.

What's on the horizon for you? I think its going to be quite a hectic few months, my latest gallery will be moving to New York in July in time for NYFW Menswear. I’m still pursuing my Licentiate Award with the Royal Photographic Society in the near future, and of course I’m still graphic designing!

Follow Chris on Instagram at @cp_inallitsglory


Mark Livermore, 24, Visual Merchandise Manager

Tell us a bit about your passion for photography. Since working as a Visual, I’ve always been desirous for photography, appreciating the beauty of something simple, clean or textured. Working with clothes everyday, considering colours, fabrics and shapes influenced what I photograph. Magazines like Cereal and Kinfolk have always inspired me, not just for beautiful photographs but for settings and styling, both have a very distinctive style which I admire. I believe keeping it simple is key for capturing a beautiful picture.

How did you get into visuals in the fashion industry? Initially I had no interest in fashion, working in retail was just a job for money whilst I was studying. As I started to work with clothes more I gained an interest in outfit building and the visual aspect of inspiring someone. When I finished studying I decided I wanted to pursue a career in fashion. Working most recently with a fashion brand has inspired me to create a clear branded message. The minimalism of the brand has also influenced my lifestyle choices, what I wear, the places I visit and what I read.

What drives you? Working with positive people that love what they do keeps me focused and motivated. I’m a results-driven person, I’m aware of what I want to achieve and always seeking ways of progressing. Doing a good job and achieving the desired result is my primary motivation.

What’s your biggest inspiration? Visiting new places, meeting new people and experiencing new situations. As a kid I spent a lot of time on the south coast, it's the place where I'm most nostalgic, having a sense of clarity and serenity, a place where I like to observe. I’ve always found residents happier when living by the coast, especially Brighton where there is an eclectic mix of people. More so than anything else it's surroundings that inspire me, minimal spaces and effortless design. A few characters also spring to mind: David Lynch and Tilda Swinton not only inspire me by their art but also by their style.

What’s on the horizon for you? I’m currently working for a Swedish fashion brand as a Visual Merchandise Manager, however I will be leaving to pursue a career with an international luxury brand. I’m hoping to travel and expand with the company. In the future, I would like to continue to work on new projects with influencers that will help me evolve, and hopefully I'll take a hand in inspiring others too.

Follow Mark on Instagram at @MarkLivermore  



Craig McGinlay, 29, Actor 

How did you get into acting? It's a long story. I was working as a Sports Scientist, Coach and Sports Massage Therapist for the Commonwealth Games and they were filming an advert for the Games. They used athletes I had trained for the likes of swimming, boxing, cycling and judo, then when casting the weightlifter couldn't find someone with the right look. When they asked if I would step in and be the weightlifter for the ad, I did it. I was over the moon having not done any modelling or acting before. To be in involved in my home city Commonwealth Games ad was very exciting and an honour for me. From this I got signed to modelling agencies across Europe and shot various campaigns in London and New York.

Where did you get your first big break? A director contacted me last year saying he loved my look for the lead role in a short film he was directing and asked if could I act. My response was, "let me try" so I went along to this audition and was thankfully offered the lead role!

Best job to date? In September 2014 I went along to a casting for what I was told was a major whisky brand. I had no idea who was featured in the ad until I was offered a recall audition in London where I learnt that Guy Ritchie was directing and David Beckham was featured in the ad. To cut a long story short, I was offered one of the spots on the ad. Without a doubt working with Guy on a couple of different projects are the biggest achievements of my career thus far and I would welcome in a heartbeat any future opportunities to work with Guy and his team again. I cannot thank them enough for giving me the opportunity.

What drives you? I get excited about stepping onto set and going to work everyday is an absolute pleasure. I am driven to continue to develop my skills, learn, and progress as far as I can as an actor. I am aware that I have a long way to go but I am more than willing to continue to put the work in and I am dedicated to making acting my career.

Who's your biggest inspiration? Christopher Reeve was a huge inspiration for me growing up both on and off screen. He was Superman on screen but also an inspirational hero off screen. Acting wise and his approach to life is truly inspirational. An all round great man. May he rest in peace.

What's on the horizon for you? There are a couple of potential movie roles coming up for me once I finish filming the project I am on at the moment. I will be meeting directors in the coming weeks and months with regards to these projects, however my head is fully focused on performing well for the director I am working for at the moment on his project and I am enjoying every second of it. All top secret, very exciting stuff.

Follow Craig on Instagram @CraigMcGinlay

Wednesday, 6 May 2015

Friday, 1 May 2015

Hazzys SS15: Behind the Scenes Video



In December last year I shot the Spring 2015 lookbook for Korean brand Hazzys. With a fascination for all things "British" we shot a range of interesting Londoners in Shoreditch. After sending the images to the client, usually I come across campaign imagery in magazines or press coverage but as the brand doesn't have a presence in Europe I'd actually forgotten all about the shoot. Last week, a friend stumbled across this video and sent it across - always strange being in front of the camera, but nice to have a momento from the day.

GarconJon meets Tom Brodie-Browne


After visiting the Alexander McQueen: Savage Beauty exhibition at the V&A last month, I was inspired to create my own perception of "Savage Beauty". For me, it's McQueen's Scottish influence that shines through in his work - particularly his Highland Rape collection from 1996 - so I really wanted to capture this in my next shoot. Despite living in Scotland for nearly two decades, I had never actually ventured further north than Oban, so this was a trip of discovery as much as anything else.

In the true spirit of McQueen I worked with fresh talent to feature in the shoot. Tom Brodie-Browne, the Scottish artist is at the start of an exciting career in illustration and made a striking model too. Exploring new art was always a priority for McQueen and so championing Mr Brodie-Browne seems absolutely right. We drove north together with plenty of time to talk art, life and Scottish roots.

Nearly all clothes on the shoot were made in the UK, in tribute to my new personal project, 'Manufacturing Menswear'.





Tom Brodie-Browne, Artist

Where did you grow up and where do you live now? I lived in Kent until I was 6 and then my family moved to Ayrshire.

What's your star sign? I am a Virgo.

Describle yourself in 5 words. Ok but I want you to know I'm not awfully fond of describing myself. I guess one word would be indecisive; ironically one of the few things I'm absolutely sure about in myself. Another word would be introspective. Reserved comes to mind. Passionate, regardless of how contradictory that may be against reserved. Lastly I'd say independent? I don't know, these answers will without a doubt change later upon reflection.

When you were a child what did you want to be when you grew up? Honestly, I watched "My Girl" and wanted to run a funeral parlour. Preferably in the basement of a huge house just like in the film.

When did you realise you had a knack for art? Was there a eureka moment? Art has been an interest of mine since I was young. The idea of creating something on a blank page still excites me. When I have an interest in something I generally tend to go all out, read all the books, gain as much knowledge as I can and put that to some use. I find with art and music, it is the process and techniques that achieve that end goal of imagery or sound that thrill me even more so than the imagery and sound itself. I'm probably too technical minded to be considered a creative.

There's always a temptation for creatives across the UK to move to London, why have you chosen to stay in Scotland? If an opportunity came around to go live somewhere else for a while then I would take it. I would still call Scotland home though.

The idea behind the shoot comes from 'Savage Beauty' in nature, what inspires you about the Scottish landscape? As cliche as it sounds, it's nearly always the great outdoors that I find simply refreshing. It moves at its own pace, much like myself.





You've released a range of children's books. That's quite an interesting story, can you tell me about it? It started as a high school project actually. We created a book which simplified Tam O'Shanter for young children and we based the story around our own character who was a haggis. The whole thing screamed Scotland. We had quite a bit of success running the business during free periods and after school. We sold around 3,500 copies and won the regional Young Enterprise award.
Once school finished, we continued to run the company while at university and college, producing more books based around our Haggis Character and Robert Burns.

Later, some of us took the business in a slightly new direction publishing some of the first illustrated children's eBooks on Kindle, Kobo and even topped the charts on Apples iBooks store. By this point we had moved on from Robert Burns and we were producing 15 minute reads simplifying classics such as Machbeth, Sherlock Holmes, Peter Pan, Dracula, Jekyll and Hyde...you get the idea. Alongside these eBooks we created educational material for the classroom and our own electronic whiteboard software. We published everything in English and Gaelic too as there are still lots of Gaelic speaking families across Scotland. As well as being a founding director, my primary job throughout was illustration. We were young when it all started and I don't know how we dealt with the pressures of running a company on top of school and university but we did.

How did you get into illustration? I think it was just a skill I had which was useful. Looking back, I was really quite awful. Since leaving that behind, I've been able to focus on illustration for my own pleasure and in doing so, my ability has advanced far more than it ever could have while working to the requests of others. I don't think illustration or any creative ability is ever something that you can say "right, I know how to do that now". Tastes and trends change constantly and that's what keeps it interesting. I feel like I'm still getting into illustration really. Always pushing myself a little further with it.

Who or what has inspired your work most? Through social media I've discovered loads artist who blow my mind on a regular basis. Their work is a constant inspiration. Much like myself, a lot of them work a regular day job which is comforting to know. What's really nice is when I get messages saying that I have inspired someone. I think passing that passion on is what it's all about.






From the looks of things you've started to get into photography. I loved that you brought your film cameras and enjoyed shooting the landscape as much as I did - how did you get into shooting? Yes! Through modelling and spending so much time with photographers, I've found a new respect for the art of photography. I'm a sucker for anything with manual moving parts so I took my parents old film camera, a Minolta SRT-201, off their hands years ago. I never used it, I just wanted to know how it worked. I don't know if that's just a boy thing? As a kid I took apart countless TV remotes, clocks, computers, anything I could take a screw driver to really. I've always been curious in that way.

I finally got some film for my Minolta a couple of months back. After speaking with some photographers who still work with film, I got some pointers and took it for a spin. I've now delved quite far into the whole thing, as I do. I've just started doing C41 processing at home and bought a new film camera, a Minolta X-700, with a selection of lenses from 18mm up to 210mm. I've read up on dark room printing and I'm in the process of making myself an enlarger. I wish I got into this years ago, I'm really having so much fun with it! Again, it's the creating something on a blank page thrill that's getting me.

I also have a Kodak Tourist II which I brought along on our shoot and a Kodak Brownie box camera. I think it's super important to work with something so basic in order to truly understand how it all works. I don't know if I'll ever take this new hobby as far as to move onto digital photography. The process of developing the negatives and soon printing is exciting to me. Film is unpredictable, and I think I need that. I aim for perfection too much. I would drive myself crazy with a digital camera. Not to mention going home with 3 or 4 hundred photos; that would take me weeks to sort through and pick my shot.

What do you enjoy about photography vs illustration? How is your process different? Honestly the two go so hand in hand, I don't know why I didn't see it sooner. There definitely are differences to my approach though. Photography is so new to me but I guess so far I've noticed it can be a bit of a waiting game to get the shot you want. There's a lot of changing elements to take into account and therefore getting that shot can feel really rewarding. Getting that shot and then successful developing the film is even more rewarding! I'm fairly relaxed with it. For me it's about going outside, exploring and really taking in your surroundings.

With illustration I'm actually quite up-tight. I'm aiming to achieve the best I can. I want to surprise myself every time I sit down to draw. I work from photos mainly and draw a lot of portraits. If it's not instantly recognisable then I'm not going to be happy with it. I should probably loosen up but any time I draw I work it and work it until I've achieved some level of realism.

Finish these sentences....

Art is... everything.
Savage Beauty is... raw, intimidating, unparalleled excellence.
Scotland is... my home.
I am.... the walrus.

Finally, leave us with some words of wisdom...Oh man I've not lived enough to be wise yet. I'll tell you when I get there, though I'm in no rush.

See the full shoot below.