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Friday, 19 August 2016

GarconJon meets Nick Fouquet


They may say that hatters are mad but Mr Nick Fouquet is just a charming Californian. As a well travelled man, he's experienced a world of different aesthetics and these are all apparent in his headwear. The hats he designs in his West Coast studio look like they've lived 100 lives and have reached iconic status in just a few short years. Over the men's fashion week season, I've noticed more than a handful of influential men confidently sporting some Fouquet à la tête, which peaked my interest to find out more about the man behind the matchsticks.

I caught up with him when he was in London launching his SS16 collection at Browns Boutique in Mayfair, where we chatted about his inspiraton and life in America's Venice. I photographed him in Kensington wearing his own clothes, a collection of vintage pieces he's found on his global travels over the years and some select pieces from designer friends.

See more at NickFouquet.com and discover his hats in London at Browns.

Thanks to photography assistant Alastair Nicol. 


Where did you grow up and where do you live now? I was born in New York City but I grew up in a town in the south-west of France called Royan, near Bordeaux. Today, I live in Venice California.

How did you end up in California? It was an accident. I blew my knee out surfing while visiting a friend in the State so ended up having to stay longer than expected while I got physiotherapy. At the time I needed a new adventure and although took me a while to get adjusted, I decided to make it my home.

I’ve heard a theory that California is full of so many optimists because in order to survive the journey across America, our ancestors had to have a positive look on life to just make it. What does California mean to you? I definitely agree with that sentiment. There’s so much optimism and thinking about travelling west in search of freedom and a better life definitely makes sense. Everyone is comes to find gold, to chase their dreams. Everyone wants to be discovered, to be a star and find a new life. Also political and sexual revolutions have all centred there. I feel like it’s a place for forward-looking individuals.


How did you get into hat making? I’ve had a lot of fortunate accidents in life and that is another. I went to school for Environmental Science but always had an interest in the arts and as my father worked in fashion he would bring home these incredible clothes that really struck me as a child. I ended up working for a designer in LA when I was living out there and he became my mentor. I really looked up to him and even though he didn’t work with hats he opened my eyes to pre-dustbowl, workwear design. I learned everything from him about how to construct. It was like going to school and getting paid minimum wage. During that time I spotted a cowboy on the street in LA and asked him where he got his hat made. He told me he made it himself and that there are only 30 hat-makers in American that do it this specific way. It really inspired me. From there I began to experiment with how I could add my own point of view to classic headwear. For about 150 years hats have been untouched. The same colours and silhouettes. I thought “Fuck that! Let’s burn this shit”. It’s what I admire most in design, respecting the past and bringing something new.

When did you make the matchstick your trademark? I smoke a lot and can never find a lighter. I started carrying these strike-anywhere matches and began storing them in my hat. It’s something really useful so I adopted it. You don’t happen to have a smoke on you now do you?

No I don’t. I thought Californian’s were meant to be all about healthy living!? I know! It’s such a bad habit.

Is there a men’s store in LA you love to visit? Yes the concept store Maxfield is amazing. It’s one of the best stores in the world. It’s on Melrose Avenue in West Hollywood. The Elder Statesman is also incredible for cashmere.

Why do you think hats are so special? It seems like it’s often the forgotten accessory to me. It’s such an undervalued piece. For men they are the pinnacle of elegance. Stylistically it changes the demeanour completely and unfortunately when it comes to quality people are undereducated. There’s a world of difference between a mass produced item and one designed bespoke for the individual.

How long does a bespoke hat take to make? It takes us about 12 weeks.


How would you describe your style? I describe it as Keith Richards meets a Samurai meets a French country club member meets a cowboy meets gaucho in Patagonia. More or less I’m an imperfect contemporary bohemian.

Describe yourself in 5 words. Hyperactive, cerebral, introspective, free, diligent.

What’s your horoscope? I’m an Aquarius. From the little things people have told me, I have agreed with the traits. We’re meant to be artistic thinkers who are a little aloof.

What do you need most in life? I have to be out in nature as much as I can. Getting in water is a priority for me, so either swimming, sailing or surfing. I love to surf, it’s definitely a meditative process for me when I need time away from work. I’ve always lived next to the ocean so it’s important.

What advice would you give your 18 year old self? Don’t worry.

Leave us with some words of wisdom. My mother would always say ‘do unto others as you’d like done to you’ and it’s really true. I think that would make the world a nicer place.

Thursday, 11 August 2016

Marti Crampshee: Porta Genova, Milan


Serendipitous moments are what makes life worth living. After years of communication over email, I finally met fellow Glaswegian Marti Crampshee in Milan. A total fluke, I asked him for a photo when he finally said "don't you recognise me?"

Monday, 8 August 2016

Art of the Finishing Touch: Exhibition, August 2016

Over the past few months I've been working hard on a new project looking at British craft and the art of the finishing touch. Inspired by Glenfiddich and their 21 year old whisky, I met and photographed 10 creators who each striving to perfect their art. This August I'm exhibiting 20 images at Lights of Soho, 35 Brewer St in London, showing work from the youngest tailor on Saville Row to a guitar craftsman with 60 years in the business.

If you're not in London and make it along for the show, here are some of my favourite images from the collection alongside the reason why I chose to document their work. 


Cad and The Dandy, Tailor: Saville Row has a reputation across the globe for the highest quality tailoring but with only a handful left who actually make suits on site, Cad and the Dandy stands out as a brand with authenticity. Watching Demetri complete this suit jacket in the Saville Row atelier, I could see it's the level of care taken right down to the final button. The process of completing a bespoke suit may be labour intensive and slow but it's the many hours of hand finishing that makes a bespoke suit so desirable.


London Cloth Company, Weaver and Cloth Maker: Inspecting each thread in a roll of 100 meters of fabric sounds excessive to an outsider but to Daniel, the founder of London Cloth Company, it's the only way to sign off an order. Daniel is a young man who stands alone in the digital generation, learning a technique that is hundreds of years old. Starting the company in rescuing a rusting loom from an old barn in rural Wales, he ended up aquiring, dismantling and reassembling machines that hadn’t been touched for decades. In the UK there are but a handful of weavers left and certainly no one who has approached it in the way Daniel has, resulting in a roster of clients from every corner of the luxury market.


Laird and Co, Hatters: This independent specialist in headwear have built a name for themselves for their attention to quality. As all their hats are handmade, it's the finishing touches that make the product stand out. Shooting someone who both loves what they do and has amassed such an impressive level of knowledge is truly inspiring. Completing the classic trilby with ribbon and feather, she skilfully stitched with a precision and finesse that made me comprehend why they have a built such an impressive reputation.






Kevin Luchmun, Barber: The science of cutting hair is more complex than most can understand. Kevin has dedicated his life to learning these techniques which is why he's become one of the most in demand barbers in London. I've worked with him a number of times and have seen his art of finishing a cut in such a way that it could not be replicated by anyone else.


Allan Baudoin, Bespoke Shoemaker: Independent shoemaker Mr Baudoin moved into his footwear career with a desire to re-connect with traditional, century-old craft. Building each shoe piece by piece, hammered one nail at a time, the final product is so personal the term "fits like a glove" would be most apt. Meeting in his East London atelier, I was privy to some obscure finishing touches that only an artists eye would appreciate.


Shaun Gordon, Tiemaker: At the forefront of a new movement in menswear is Mr Shaun Gordon. Currently the growth is the menswear market is three times that of their female counterpart and the hand-crafted ties that Mr Gordon create is an indication why. An appreciation for skill and quality in the items he consumes is returning to the average man and Shaun Gordon's ties are the physical representation of that. He hand cuts each piece of silk, pressing and stitches the final article to perfection which has resulted in a range of accessories that stand the test of time.





Glenfiddich, Whisky Maker: With over a million casks in the distillery, it was fascinating to learn that each one is still screened by hand and nose. Here Mark Thomson draws a sample using the dipping dog to test the whisky rate of maturation and quality. It’s a pain staking job but that Glenfiddich are strict they won’t trade for mechanisation.


Pez and Pencil, Illustrator: Professional designer, illustrator and lettersmith, Pez has grown a reputation for a deep understanding of craftful lettering. Photographing him create a unique painting for this exhibition, I could see why he's become so well known in the industry. With a steady hand and laser-sharp precision he applies the final stroke on the canvas.

Thursday, 28 July 2016

GarconJon meets Serge Rigvava: Model Off Duty


With a halo is curls and relaxed personal style, Serge Rigvava is the Elite boy to watch. Discovered in the Elite Model Look competition two years ago as Austria's entry, he's gone on to be photographed by David Bailey and walked for designers including Issey Miyake, Dries van Noten and Haider Ackermann. In person, he strikes me as one of life's dreamers and this is reflected in conversation too. See part one of the interview below and the second on EliteModelLook.com.

This is part of a new series with Elite Model Management, to see more male model's off duty click here.


Where did you grow up? If I could only remember! I was born in Munich then I moved to Stuttgart and then to Vienna. We made the final move to Vienna because my mum is a musician and she got a job there. I like it because you can live a very comfortable life here but for younger people it might be a bit boring. You cannot pursue your interests as much as you might somewhere else.

What excites you about London? You can do whatever you want, everything is on offer. It just takes longer to get there. The good thing about Vienna is that you can be anywhere in 20 minutes.

Describe yourself in three words. That’s hard. I would say relaxed, bored and creative. I can imagine things quite well.

What is your calling in life? I am in a band and I make a lot of music by myself. I play guitar, I have a Düsenberg Starplayer. I play a lot of classic rock’n’roll. Otherwise I like to skateboard or do graffiti. I spend a lot of time outside. Except for swimming, that’s inside. Or trampolining and eating.

Where do you see yourself in ten years time? I can only see extremes. Either I am broke or I am on a huge stage in front of an amazing crowd, playing music. I want to be an artist or musician.

What was the best experience you had while modelling? I got to spend a day with my favourite photographer, David Bailey. I shot the campaign for Valentino as he always does them. We shot on location on Brick Lane, near to David Bailey’s studio. We just walked around with him and a lot of Valentino clothes. Just strolling around and shooting. That was so cool. The directions he gave and everything is just so funny! He kind of takes the piss out of you and jokes around. He is just hilarious and you can really feel how much experience he has. It was amazing to have met him.

Do you have any advice for people who want to go into modelling? Try and keep your interests and professional life separate. Except for maybe photography that might be overlapping. It is always good to try and learn about your job and if you can imagine in your own head how you look on a photograph then you know how to get the best picture. It is harder if you don't have the imagination and don’t have a feeling for composition. Doesn’t mean you cannot get a good picture though.